The camera … to shake or not to shake

Editing a documentary is proving to be rather a challenge.

It has been everything the opposite of a short film.
Here you go out, you film, you let the wind carry you. Sometimes you go nowhere, sometimes you go somewhere… And then you come back and you have all this stuff….

The curse of the digital age has to be an almost endless amount of storage, allowing for a great-deal less forethought.

But now, with all the footage one has to compile it, sort it, and label it just so it can be decided whether or not it is useful!
Some of it is great, some of it okay, some of it not… So what is useable, what is still okay?
Whatever helps you to communicate the contention of you story yes?

I’m not sure….
Having more then one person film means that essentially this story is being told through more then one set of eyes (here’s where the reality of why it’s best to make documentaries alone set’s in). Because each individual has their own manner of looking at things, if seeing, noticing, and therefore their own ideas about how others should see and notice what they see.

My question that I’m trying to arrive at here is: does it matter that the camera shakes? And that it does in some instances more then others?

Recently, the rise of DSLR’s, and mobile filming have made it easier for audiences to stomach a shakey-home-video-style camera. But maybe for a documentary it shows a lack of technical discipline. I’m not saying that every shot should always be set up on a tripod, but maybe we should arrive at a set of conventions as to how much shake is acceptable…

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